The string family, along with the flutes, are the most imitative of the organ flue stops. Very often specified as a pair of strings with a celeste, to provide undulations to further the effect of a string ensemble. Construction: Tonality: | |
STOP NAMES | |
Cello | Broad-toned stop. |
Gamba | Broad-toned stop, quite powerfully voiced. (In orchestral stringed instruments, the Viola da Gamba is the Viol family equivalent of a Cello). |
Salicional | Softer stop, often (on Comptons) extended to provide upperwork and derived mixtures of an exquisite silvery quality. Wurlitzer stops of this name tend to be more conventional and of average power and tonality. |
Viola | Stop of average power and timbre. |
Viol d'Orchestra | Ultra-narrow scale stop with a harmonic development and attack that can cut through louder stops, especially in the upper registers. |
Violin | Stop of average power and timbre. |
Muted Strings | Pair of stops playing together from one stopkey, usually of softer and narrower scale, one unison and the other celeste. |
Viol(e) | Nomenclature for a 4' string. |
Violetta | Compton nomenclature for a 2' string. |
Fifteenth | Although strictly belonging to the Diapason family, this 2' stop on a theatre organ is often derived from a string stop, with the intention of providing a more balanced ensemble. |
Celeste | Unlikely to appear other than as a suffix to the above names at 16', 8' or 4', denotes the undulating partner stop, tuned (usually) sharp to the unison. Celeste ranks are sometimes slightly smaller in scale than their unison partner. |
See further: | |





Comparison of Viole d'Orchestre (front) and Salicional (rear)
Strings (Compton)
Gamba (Wurlitzer)